Round the Herne

 All five parts of my reading of Forrest Reid's supernatural teen romance "The Garden God" (1905). This is a somewhat controversial work, when it was published same-sex romances were illegal and, whilst there is no sex and it is all sighing and gazing rather than anything else, it was still incendiary ground for any author to tread upon. Even today the work is challenging, given that the main characters in the flashback sequences are about 16-years old. Teen romance novels have become very popular of late, but some of us are sufficiently old and crusty that we would sooner ignore adolescent crushes! However, this work follows the same intensely lyrical style that Oscar Wilde adopted, including the same great love of Greek mythology that weaves throughout this short story, and the vivid embrace of nature imagery. Reid, like his fellow Irishman Wilde, was clearly deeply wedded to the countryside. The supernatural elements are low-key, mostly centred around the possibility t...

 My reading of a children's story by Anna Wahlenberg (1910) from the lovely book  "Swedish Folk and Fairy Tales" (with delightful illustrations by the Swedish artist John Bauer). With Yuletide on the horizon, it's well worth tracking down a copy - would make for a lovely gift. Apologies for the unspeakable attempt at an accent for young Peder Lars, but I couldn't resist the lure of hamming it up. I might do some of the other stories at a later date, if I get the time.

 The theme for September's Suffolk Jungian Circle (virtual meets, 7.30pm on the last Wednesday of the month - let me know if you want the link) is Jung and Christianity. Having chosen the topic, we all rapidly realised that it was a vast topic that could fill multiple meetings - but this is by way of a taster. For the actual meeting different people will each tackle a sub-topic of their choice. This recording cuts off as, despite the best laid plans, someone knocked at the door and I cannot work out how to pause a video recording and splicing two videos into one is too much of a headache to bother with. The final topic that I didn't get to was to touch on a point by Blum, which could probably be a whole debate in itself, that the Christian doctrine of the soul and accompanying personal salvation fits nicely with Jung's individuation, Further, Blum argues that the modern world has gone to Hell in a handbasket by treating people as merely functions and therefore replaceable r...

 It was International Dog Day recently (who on earth actually decides these things?) and I was going to record a story, but work got in the way. So here is a belated account, my version of the final Labour of Herakles where he must acquire the giant dog Cerberus and bring him to the court of his mealy-mouthed cousin King Eurystheus. For the literary among you this is a katabasis tale (the journey into Hades) followed by an anabasis one (the return to the living). I'm sure you are glad to know that.

 This is my version of the Greek myth of Perdix and his uncle Daedalus the inventor. This story reminds me of the Irish myth of Dian Cecht and his son Miach whose skill (in medicine rather than engineering) threatens to outstrip the master. Whilst both stories can be read as straightforward warnings about the dangers of envy, the Irish tale has subtext about the dangers of immortality which the Greek story does not have. 

 A short-ish philosophical musing on the Ancient Greek understanding of time and how it relates to two deities, Kronos and Caerus. It would be interesting to hear people's views about the nature of time and particularly the issue about whether brief good times can outweigh long bad times in the qualitative Caerus-sense.

 My reading of H P Lovecraft's 1922 short story "Celephais" which warns the reader about the seductive danger of fantasy and daydreaming, luring people away from engaging in the world around them. Unusually for Lovecraft, there are no real squeamish horrors eating people's brains or turning their souls into earrings - however, the creeping madness is ever present.

  My recording of H P Lovecraft's (1920) short story " Facts Concerning the Late Arthur Jermyn and His Family", a tale which suggests that it is sometimes better not to delve too deeply into one's genealogy. This story is from the same collection that I have previously recorded other Lovecraft tales from.

 It is harvest time in Britain, so thought I would record a story connected to agriculture. This is part of the myth cycle of Demeter and how she forms an association with the kingdom of Eleusis and the birth of the Eleusinian Mysteries. Disguised as a mortal woman, Doso, she looks after the baby Demophon and his older brother Triptolemus, There are close parallels between this story and one told of Aset (Isis) when she too is wandering the land in search of a lost loved one and ends up taking care of a royal baby. One story may have inspired the other, or both may reflect a universal truth.

 A ramble about how different philosophies conceptualise the root and nature of human worth. This was partly sparked off by researching the story of Prometheus stealing fire from Olympos and giving it to humanity to bring them out of their previous leaden state. This meander skirts around issues of what the basis of human worth is, how it relates to legal personhood, and whether there is a sense in which all people are of equal value, what that actually means, and to what extent such notions are universal. Avoided talking about Kant and Burke, but if this generates a discussion I might do a follow-up going more into their ideas.

 A recording for the Suffolk Jungian Circle about Eric Berne's notion of Life Scripts (part of his practice of Transactional Analysis) and how it relates to Jung - and to Greek mythology. This got cut short by a few minutes due to someone knocking ta the door (and me not knowing how to pause a recording).In the last few minutes I was going to add that Berne argued that not only did individual people have scripts but that organisations, communities, even entire nations could have scripts that they played out (though it is much less obvious how they develop scripts). At the national level the transmission route for the script is partially via the mass media. From a Jungian stance the scripts tie in to an idea that was partially discussed at the June meeting, around individuation being the path (a positive script, if you like) of the Self archetype and James Hillman arguing that other archetypes had their own trajectories or paths which might be followed instead - we spoke about this ...

 This recording was made for the Suffolk Jungian Circle monthly online discussion in June (7.30pm on the 25th, if you want to join in let me know and I'll send you the Teams link). This month we have a look at one of the post-Jungians, James Hillman. He is perhaps best known for his book "The Soul Code" (1997).

 Earlier this month we had the third annual Suffolk Jungian Symposium at West Suffolk College. My contribution to the day was a talk applying Jungian principles to Oscar Wilde's novel "The Picture of Dorian Gray" (which also has plenty to say about the human psyche in general and not just as a bit of pretentious lit-crit. The recording of the original event did not come out at all well, so this is a slightly more rambling version of the same thing.

My reading of the twelfth and final chapter of Kenneth Grahame's lovely children's classic, "The Wind in the Willows" (1908). The heroes besiege the Wild Wooders who have taken over Toad Hall - will they succeed in putting the world to rights? Well, duh! I rather enjoyed recording this (even if the listeners didn't!) and it's one off my bucket list. I'll give it a breather and do other things before I think about recording any more books.

 My reading of the penultimate chapter of Kenneth Grahame's classic story "The Wind in the Willows" (1908). Toad is reunited with his friends but finds that disaster has befallen his ancestral home during his incarceration. 

 My reading of the tenth chapter of Kenneth Grahame's delightful classic "The Wind in the Willows" (1908). Toad's flight to freedom continues, peppered with meetings with a variety of characters with highly unconvincing accents.

 My reading of the ninth chapter of Kenneth Grahame's beautifully lyrical "The Wind in the Willows" (1908). I love the sophistication of language, delivered confident in the assumption that children would understand it - back in the day when things were not dumbed down. Anyway, the story moves on to Mr Rat and his encounter with both the call of the seasons and a seafaring Rat filled with tales of the briny deep. Went for a wander down by the River Gipping this afternoon, just to get in the mood for Grahame's story.

 My reading of the eighth chapter of Kenneth Grahame's 1908 children's classic "The Wind in the Willows". Mr Toad makes a daring prison break in a scene guaranteed to inspire thoughts of criminality in anyone listening to it!

 My reading of my favourite chapter (the seventh one) of Kenneth Grahame's 1908 children's classic "The Wind in the Willows". Here a baby otter goes missing and, on the adventure to find him, the friends encounter Pan Himself - in a scene that still makes the hairs on the back of my neck stand up even after multiple readings. I do wonder if this scene came to Grahame as some kind of dream of visionary experience - to me it feels like a genuine spiritual encounter and it sits quite strangely in the wider story.

 My reading of the sixth chapter of Kenneth Grahame's 1908 children's book "The Wind in the Willows". In this part of the story an intervention is staged to deal with Toad's obsession with cars - and the miscreant goes totally off the rails.