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Golden tale
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I recently celebrated my 50th birthday (with a trip to the Eastern Angles theatre to see their excellent spoof of Enid Blyton, "Four and a Half go Wild in Thetford Forest" - if you have yet to see it, book a ticket... lots of new acting talent performing who will doubtless become much better known in future. Drama schools obviously train their graduates well. Edward Kaye playing the clueless posh boy in snug shorts was worth the price of admission alone. Loved seeing Queen Boudicca trundling around in her battle wagon demanding an exit from the Roman Empire and promising millions of sestertii for the NHS. There was even a visit from an eerily accurate version of Ed Sheeran). The prospect of Thetford ending up half under water in two decades' time might not distress too many people, but we may all have to get used to a lot of changes as the environment alters around us.
I wanted to record a story for my birthday, but other things got in the way - so here is my belated tale. Given that 50th anniversaries (for weddings if not birthdays) are marked by gifts of gold, I've opted for a story with a lot of golden imagery to regale you with - a Russian tale, variants of which can be found throughout that region of the world, in which the youngest of the Tsar's sons retrieves the wondrous Firebird which has been eating the golden apples that grow in the old autocrat's private garden. The story also has the benefit of having a heroic wolf as a prominent feature, so all the more reason to like it.
I was asked to conduct the funeral of a Wiccan lady, which took place this afternoon. The family had chosen a number of poems, including this excerpt from Percy Shelley's 'Adonais'. I've recorded it here because it is a beautiful piece and it might well be useful for anyone else who might be organising a funeral for a pagan or a pantheist at some point and need inspiration.
A recording for the Suffolk Jungian Circle about Eric Berne's notion of Life Scripts (part of his practice of Transactional Analysis) and how it relates to Jung - and to Greek mythology. This got cut short by a few minutes due to someone knocking ta the door (and me not knowing how to pause a recording).In the last few minutes I was going to add that Berne argued that not only did individual people have scripts but that organisations, communities, even entire nations could have scripts that they played out (though it is much less obvious how they develop scripts). At the national level the transmission route for the script is partially via the mass media. From a Jungian stance the scripts tie in to an idea that was partially discussed at the June meeting, around individuation being the path (a positive script, if you like) of the Self archetype and James Hillman arguing that other archetypes had their own trajectories or paths which might be followed instead - we spoke about this ...
A few reflections on the archetype of the Dark Father for the monthly discussion of the Suffolk Jungian Circle. If you would like to join in the virtual discussion, let me know and I will send you the link (Wednesday 27th November at 7.30pm).
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